X-Men: First Class
※ Download: X men first class torrent
Of the bunch, it is Mystique and Beast who are best served. When discovering Shaw is intending to start World War III, Xavier and Lensherr help the US government to prevent his plan.
Before they were archenemies, they were closest of friends, working together, with other Mutants some familiar, some new , to stop the greatest threat the world has ever known. And viewers can debate endless about them, and about who is right, etc. Both have terrific character arcs that - in a lesser X-Men movie - might have been the highlight of the film.
X-Men: First Class (2011) - Torrents - Xavier and Lensherr are two Mutants with different views about relationship of Mutants and humans. The violence is clean but present, pitchedright between a young and adult audience.
Synopsis In 1962, the United States government enlists the help of Mutants with superhuman abilities to stop a malicious dictator who is determined to start World War III. Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants some familiar, some new , to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN. This one however, stands above them though for theconsideration and tact that has gone into developing theseunderstandably complex characters. Resulting in a more complete movieexperience. The leading cast do a brilliant job in giving you a sense of theirconflict with ingredients such as prejudice, ignorance, a sense ofbelonging and bitter revenge giving the film a more humane feel than alot of dramas allowing you to connect with the characters more easily. The special effects- lets not forget, are top notch as expected, butsurprisingly very in-keeping with the film and doesn't take away fromthe other elements of it. The violence is clean but present, pitchedright between a young and adult audience. There's also a decent amountof ironic humour thrown in, which, considering the party tricks onoffer by that I mean the powers and peculiarities of the mutants ,just comes and goes naturally without feeling forced as like a lot ofcomedy moments in films of late. Bottom-line, this is a well-constructed, well acted Marvel film. Iwasn't totally convinced beforehand, casting James McAvoy as the youngXavier, a full head of hair and northern accent doesn't seem the bestfit after all. I can say that he fully realised that role and showedhis range in playing a more commanding lead. Michael Fassbender hasgreat screen presence and does a good shift as the Magneto to-be and MrBacon adds another interesting element to the story. All the supportingcast give a solid performance with everyone focused on the exciting jobat hand and no weak links. Easily worth the cinema admission and thank god they didn't make it inhit-and-miss 3d, there's just no need! The best of the X-men franchise. It's intelligent, enthralling, well-acted, stylishlydirected, and most importantly by focusing heavily upon therelationship between the two central protagonists, it does not feellike a conventional super-hero film. Set within the political context of the Cuban Missile Crisis in theearly 1960's, Charles Xavier James McAvoy is an up-and-comingProfessor whose life is drastically altered when he is introduced tothe other members of society who also share the same mutant gene ashimself that supplies them with super-human abilities and traits. Afterstumbling upon the shape-shifting Raven Jennifer Lawrence within hismansion, the telepathic Xavier then encounters Erik Lehnsherr MichaelFassbender , the son of Jewish parents who were murdered during theholocaust by the narcissistic former Nazi scientist, Sebastian Shaw Kevin Bacon. Erik, who can manipulate all metal objects aroundhimself, wants retribution and nothing more from Sebastian who is now asuccessful and evil underground figurehead who commands a team ofmutants Azazel, Emma Frost and Riptide to do his bidding for him. But, once his plan for world domination is revealed, they find that itfar exceeds the constraints of humanity, and Xavier, Erik and a rag-tagband of young, hide-away mutants Havok, Beast, Darwin, Angel andBanshee who were discovered by Charles, must combine their powers inone last attempt to stop Shaw from destroying the planet and humanityas a whole. Instantly where 'X-Men: First Class' works is in regards to its twocentral characters; Charles Xavier played by an incredibly affluentlysounding James McAvoy and a rage-fuelled Erik Lehnsherr played by astern-faced Michael Fassbender. Their instant on-screen chemistryprovides the drive and ammunition for the plot to carry itself forward. Both characters have differing ideologies and their constant clashesdue to this aspect allow the script to be brought to life. Instead ofsimply infusing their relationship with formulaic violent clashes,Vaughn has instead opted for more articulated verbal battles betweenthe two characters regarding their stance within the society they arenow becoming a part of. Xavier is an intellectual being who believesthat humans will eventually be accepted within society as equalsalongside humans, while Lenhsherr believes that mutants will always behunted and unable to live peacefully side-by-side with the human race,his evidence for this resides in the anti-Semitism and hatred hereceived at the hands of the Nazi party during the holocaust. Thisheavy-set contradiction in ideologies allows their relationship to beimbued with pessimism, while they may be shown as friends and fightingtogether initially, fans of the comic books and films in general knowthis does eventually turn into a bitter rivalry and it's thisdevelopment which drives the plot forward. Aside from the script, it would also be rude to not praise theaction-sequences which take place within the confines of the 1960'sX-Men universe. With a modest running time at two hours and tenminutes, there are more than a few well-choreographed action sequencesthat would adequately satisfy any of comic-book-to-film aficionado'swishing to see this film. Each character's power or ability is at somepoint represented in a destructive or defensive capacity, taking fulladvantage of the fact that while many super-hero movies tend toconcentrate on the aesthetic nature of the artillery characters can beseen to withstand from governmental agencies or blindsided humanopponents, here it is shown and constantly emphasized that humanreaction would be futile due to the overwhelming power the mutantspossess. These scenes also allow the less important characters to showtheir physical presence on-screen. For example, during the climacticfight sequence at the conclusion of the film, every mutant characterthat is identified to the audience is finally shown using theirabilities to full capacity, most notably the henchmen of Shaw and therag-tag team of Xavier and Lehnsherr. This therefore accounts slightlyfor the lack of depth that has been attempted in these secondarycharacters due to the time and story constraints. The first is superseded ina way by the strength of both McAvoy and Fassbenders performances, asKevin Bacon is constantly overshadowed as the one-dimensionalantagonist of the piece. His plot to ultimately destroy humanitybecomes second fiddle to the ever intricate complex relationshipbetween Xavier and Lehnsherr, and his appearance seems too modelledupon that of a James Bond villain. He has the slick hair, the beautifulwomen and the villainous underground Club to boot, but Baconunfortunately doesn't have the charisma to be accepted as a worthyopponent to the protagonists. The other flaw has to do with a minoraspect of the production itself, as the non-diegetic music, mostnotably during the action sequences, begins to diminish in its impactas the film carries on, leading to it eventually becoming the generic,genre-related fanfare associated with the conventional comic-bookfilms. Michael Fassbender and James McAvoy are superb. Each one, alone, would have made the movie terrific, but together? Every step of the way, every scene, every emotion, these two men own the movie and watching their bromance is a treat from start to finish. Make no mistake about it, even when the world is on the brink of utter destruction what really matters is how these two men relate to one another. And when you watch the movie, you will care. Everyone in the cast is good. Kevin Bacon has never been better, and Jennifer Lawrence is wonderful. Rose Byrne and January Jones aren't given much to do, Ray Wise and Michael Ironside only have a few short lines, but - across the board - the entire cast are a delight. The story is tight. Against him, the good guys work together. Their motivations are different, of course, but they pretty much want him stopped so they unite. Charles and Erik are fascinating characters. And viewers can debate endless about them, and about who is right, etc. As you watch you desperately wish they could stay friends, but you understand why they ultimately can't. Even if they themselves, in these early days, don't understand it yet. To have that so perfectly captured in a Summer Blockbuster movie is part of what makes this a treat and a future classic. But, aside from their relationship to each other, the movie takes time to make each of them interesting in his own right. We get to see Charles as a teacher, for instance, and come to understand how he impacts upon the lives of those he tutors. Some of Erik's best moments away from Charles are in his comments to Mystique about her appearance, making it clear that this man has more to him than the shadow of his past. Most supporting characters have very little screen time. But that's okay, since this isn't THEIR story, really. Of the bunch, it is Mystique and Beast who are best served. Both have terrific character arcs that - in a lesser X-Men movie - might have been the highlight of the film. Here, their stories serve as quality background material to the main event Charles and Erik. Beyond that, we just learn enough about everyone to know what they can do and like them a little bit, mostly through their banter and most obvious character traits. Once scene where most of the supporting characters are clearly terrified will certainly go a long way towards making you care about them for the rest of the movie. On the downside: Shaw's two henchmen don't get ANYTHING to do except use their powers, and at the end of the story we know as much about Emma Frost as we did at the beginning. But these are the exception, not the rule. Visually, this movie is a treat. Whether it's a remote CIA lab or a lap-dance club, whether it's the Magneto helmet or Mystique's everyday clothes, you are always admiring 'the look' of what's on screen. There are action scenes all during the movie, but - having said that - the movie builds as it goes. And, again, it works. Even with the scant details given their characters, when Banshee and Havok for example go into battle you are invested in them to a certain degree. Deaths, betrayals, cameos and name-dropping. Rock-solid script, two amazing lead performances the film is basically a bromance. Haven't been this excited about the X-Men franchise since X2: X-Men United.
Xavier always wants to develop the super ability of Mutants to protect human while Lensherr has a deep feud with Dr. This one however, stands above them though for theconsideration and tact that has gone into developing theseunderstandably complex characters. All the supportingcast give a solid performance with everyone focused on the exciting jobat hand and no weak links. Even with the scant details given their characters, when Banshee and Havok for example go into battle you are invested in them to a certain degree. Make no mistake about it, even when the world is on the brink of utter destruction what really matters is how these two men relate to one another. And yet the fun part about X-MEN: FIRST CLASS is the journey it takes us on to get us there. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN. Before they were x men first class torrent, they were closest of friends, working together, with other Mutants some familiar, some newto stop the greatest threat the world has ever known.
